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Tag: band

Heavy Devy: Redux

Last time I went to see Devin Townsend live was back in 2019, and it didn’t exactly go as planned, as I detailed in my blog post back then. Little did I know what absolute fuckery was about to come out of a wetmarket in Wuhan, China before long.

“Say hello to my little friend.”

A couple years have passed, where mother earth was playing a very exciting game of Pandemic with real people. We’re not out of the woods yet, but things are returning to normal, and the disease is no longer considered quite as big a deal as it once was.

Devy’s back, let’s go!

When I saw Devin Townsend was returning to Oslo for his Lightwork tour, of course I just had to have tickets, and so I bought them.

Yay, Lightwork!

Turns out Devy was releasing a new album called Lightwork, and was promoting it on an album tour, including Europe. Sweet!

New album by Devin Townsend! Yay

But the album release was pushed back, and Ticketmaster decided not to let me know that until quite a lot of time had passed. However, Mr. Townsend still went on tour – playing various older songs, and he’s got an amazing discography, so that shouldn’t be a problem. I was able to refund the original tickets, and buy new ones for the other tour, which it turns out he was doing along with Dream Theater.

Being someone who listened a lot to Dream Theater in the mid 2000s, I thought that sounds good to me, and I ordered tickets for me and my girlfriend, and planned a stay with some relatives living a quick train ride away from Oslo. That way I can see relatives, cut costs, and drive my own car most of the way, without having to deal with Oslo traffic and parking and all that jazz. Sounds like a win to me!

Cool & good! They even have a cute kitten.

The logistics went perfectly this time around. No hiccups at all.

If anything went a bit wrong this time around, it might be that Devin Townsend was a warmup act for Dream Theater. His set wasn’t very long, and the audience was mostly there to see Dream Theater, which means they weren’t mostly there to see him, and I think they made that very clear unfortunately.

Devy must have picked up on it, because although he delivered a good show, he seemed almost depressed. Lacking some of the joy and spark I’ve come to appreciate about him. The technical aspect of the performance was great, and he played a very good setlist, so I’m pleased to have seen his show in it’s entirety – including finally hearing Deadhead live without having to leave the venue as it starts, as happened last time. But yes, something was amiss.

Poozer

The evening devolved into Devy making constant fart jokes, and telling the audience he doesn’t care that they’re not excited, he gets paid either way.

We enjoyed the show regardless, but I hope to see a whole show of him at his best. Then again, he’s weary of touring now from what he’s said. Still, he’s supposed to be back in February 2023, and I might catch his show then.

James LaBrie of Dream Theater

In my teens I used to listen to Dream Theater daily, but that night they were not my cup of tea, to put it mildly. Being a prog band, it’s to be expected that some of the music gets too esoteric and technical to be enjoyable to most people, and while I like a lot of their discography, I simply didn’t enjoy them that night. It didn’t help that James LaBrie seemed to have gotten hold of some bad amphetamine, with his uncoordinated whirling and jogging around the stage. We left pretty quickly.

After ditching Dream Theater, we headed to a bar called Brewgata instead. Although a bit hipstery, I found it enjoyable regardless. We enjoyed some drinks and a little people-watching before we headed to the train and went home, feeling like the night was a good experience all-round, even though I was a little bit disappointed the crowd bummed out Devvy, which in turn made his performance a little bit less exciting for those few of us who were there for him.

Better than last time, but let’s hope next time is even better!

Buckethead

Soothsayer, performed live. Starts at roughly 25 seconds in.

The story of the guitar virtuoso known as Buckethead is that of a robot raised in a chicken coop – by chickens – wearing an expressionless white Mike Myers-esque horror mask concealing circuit boards and severe chicken scratches.

In memory of his fallen chicken-family fried for food, he dons the KFC bucket as a hat, and plays some of the most mind-blowing guitar play you’re ever going to experience.

A beginner’s guide to Buckethead

This guy is easily one of – if not the – best guitarist(s) in history. He was lead guitarist for Guns ‘n Roses back in the early 2000s, but decided it wasn’t for him. Instead, he decided to do smaller and more informal gigs on his own, and I can’t even begin to say how much I respect that. It shows he’s not about the money. He’s got plenty, but is focused on doing what he loves, rather than what will rake in even more cash.

Buckethead with Claypool Bernie Worrell and Brain

A highly experimental and extremely prolific artist, Buckethead has produced 314 studio albums, spanning various styles, genres and string instruments. He can play sentimental, tender melodies dedicated to close family members, and he can play faster, heavier stuff on the other end of the scale. The man is most definitely a master of his craft.

https://www.youtube.com/watch?v=1sYbbk2yN0o
Buckethead – Siege Engine (album version)

Seven Inches of Satanic Panic

The Swedish metal band Ghost has released a new single, featuring two new songs – Kiss the Goat, and Mary on a Cross.

True to form, they’re marketing their new single with a generous helping of tongue-in-cheek, although whose tongue is in whose cheek is up for debate, knowing Papa Nihil – the fictional character who released these songs during the summer of love back in 1969, and who now tries to stay relevant by re-releasing the Seven Inches of Satanic Panic single at it’s 50th anniversary.

Of course, Ghost never existed back then and the songs are brand new, but they’ve got that late ’60s sound, and so this was a natural marketing gimmick, for a band where the front figure is routinely killed off and replaced with a successor for every new record.

Papa Emeritus I-III

Each front-figure has it’s own distinct style, both visually and vocally, and the albums are all very different from one another, while still being tied together by this fictional satanic cult hell-bent (get it? heh..) on bringing forth the antichrist.

https://www.youtube.com/watch?v=CULRete_Hok

After the album Meliora, the band members had a falling out, over what essentially amounts to a contract dispute. It’s my understanding that the lead singer – Tobias Forge – was managing the finances for the band, and the other members wanted a larger cut, but Tobias saw Ghost as a solo project, where they were hired musicians, and since he won out in court, I believe this to be reflected in their contracts. It’s a shame it went down the way it did, but due to the way the brand is set up, Ghost could survive such a monumental change to it’s lineup with relative ease.

One hitch in all of this is that – if the sources I’ve read are to be believed – guitarist Martin Persner was the one who had brought the character of Papa Emeritus to the table, as it had been created by a friend of his. So with Martins departure, Ghost itself had to depart from the Papa Emeritus line of characters – by killing them off, of course.

Enter Cardinal Copia

Ghost frontman solved this problem by assuming the persona of Cardinal Copia, a clumsy and somewhat incompetent cardinal of the satanic church. Seemingly the sole reason for his rise to frontman status is that he’s the lovechild of Papa Nihil and Sister Imperator, whose origin stories are depicted in the music video for the song Dance Macabre of the Prequelle album.

So, fast forwarding a few years after the events of Dance Macabre, we find ourselves in 1969 – time doesn’t seem entirely linear here but alright – where a young Papa Nihil is fronting the band, and releasing the original Seven Inches of Satanic Panic single, which we’re seeing re-released for it’s 50th anniversary now.

…is it any wonder I love this band?

Jinjer

About a year ago I was introduced to this interesting Ukrainian band called Jinjer. To say this band has become a sensation is like saying water is moist.

Composed of vocalist Tatiana Shmaylyuk, guitarist Roman Ibramkhalilov, bassist Eugene Kostyuk and drummer Eugene Mantulin this is a formidable group of musicians.

Most widely known for their vocalist, for reasons that will become obvious when you listen to their music – we shouldn’t forget to appreciate the amazing musicianship of her bandmates, who are all fantastic in their own right. But of course, Tatianas vocal performance is undeniably something quite special. I’m convinced that whatever genre she decided to embrace, she’d become a highly successful performer within it.

Pisces. The real breakthrough for Jinjer. Now everyone and their cat is posting ‘reaction videos’ of this one, and it always delivers.

So, Pisces is the golden goose for Jinjer. This video has spread like ebola, or wildfire if you want something a bit more cliché. But Jinjer has a lot of interesting songs, including but not limited to Astronomy, Captain Clock, Teacher Teacher, Sit Stay Roll Over, Who is gonna be the one? and Just Another.

Jinjer – Who is gonna be the one?